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Enigma variations, Nimrod, Eward Elgar, Lux Aeterna

SDG

3:44	Est. Play Time
45	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I		14	0	2	9	100%
Alto II		12	0	2	9	98%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I		14	0	2	9	100%
Alto II		12	0	2	9	98%
Tenor I		14	0	2	7	95%
Soprano II		14	0	2	8	93%
Tenor II		12	0	2	9	93%
Bass I		12	0	1	9	91%
Soprano I		15	0	2	9	91%
Bass II		14	1	1	8	89%

Panis Angelicus, César Franck.

SDG

3:39	Est. Play Time
61	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		20	6	6	6	100%
Pedal		18	0	6	6	92%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		20	6	6	6	100%
Pedal		18	0	6	6	92%
Organ		12	6	3	5	80%
Harp		21	39	5	2	60%
		35	41	10	2	68%
Voice		8	0	1	7	67%
		8	0	1	7	67%
		8	0	1	7	67%
Violoncello		11	0	2	8	59%

Graduale (Locus iste), WAB 23 # 4, Anton Bruckner.

SDG

2:42	Est. Play Time
48	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenore		14	0	4	8	100%
Alto		14	0	4	8	98%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenore		14	0	4	8	100%
Alto		14	0	4	8	98%
Soprano		16	0	3	8	98%
Basso		17	0	5	6	81%

Jesu meine Freude, BWV 753 with completion, Giubiasco sampleset.

SDG

3:20	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		17	0	5	8	100%
		23	0	7	6	96%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		17	0	5	8	100%
		23	0	7	6	96%

Abendlied, Bleib bei uns, denn es will Abend werden, Josef Rheinberger, opus 69, 3.

SDG

3:09	Est. Play Time
49	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I		10	0	1	4	94%
Soprano II		11	0	3	5	88%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I		10	0	1	4	94%
Soprano II		11	0	3	5	88%
Tenore II		14	0	3	6	88%
Basso		13	0	1	4	86%
Alto		10	0	2	4	82%
TENORE I		9	0	1	5	76%

I know that my redeemer lives (O joyful sound! o glorious hour). Ik weet dat mijn Verlosser leeft, Joh. de Heer 113.

SDG

0:53	Est. Play Time
22	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		12	0	2	6	100%
T B		10	1	0	6	86%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		12	0	2	6	100%
T B		10	1	0	6	86%

Het is volbracht! (variant I). Composed by Gertim and harmonisation improved by BSG.

SDG

0:56	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Stem		13	0	3	7	97%
		21	0	4	6	94%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Stem		13	0	3	7	97%
		21	0	4	6	94%

And can it be that I should gain, Thomas Campbell, Charles Wesley, TUNE:SAGINA

SDG

0:01	Est. Play Time
33	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		14	3	1	6	98%
T B		13	0	1	6	94%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		14	3	1	6	98%
T B		13	0	1	6	94%

20. Het is volbracht, Dutch lyrics, Nederlands, Schemelli, J.S. Bach, BWV 458.

SDG

0:54	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		15	0	3	7	90%
T B		19	0	5	5	90%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		15	0	3	7	90%
T B		19	0	5	5	90%

All to Jesus, I surrender. k geef mijzelf aan U volkomen, (Joh. de Heer 585)

SDG

0:48	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		9	4	0	5	100%
Tenor/Bass		11	0	0	7	93%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		9	4	0	5	100%
Tenor/Bass		11	0	0	7	93%

Abendlied, Josef Rheinberger.

SDG

3:09	Est. Play Time
49	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I		10	0	1	4	94%
Soprano II		11	0	3	5	88%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I		10	0	1	4	94%
Soprano II		11	0	3	5	88%
Tenore II		14	0	3	6	88%
Basso		13	0	1	4	86%
Alto		10	0	2	4	82%
TENORE I		9	0	1	5	76%

There is none like You. Niemand is als U. Lenny LeBlanc. SATB acapella Arrangement: Gertim

SDG

2:17	Est. Play Time
33	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor/Bass		19	0	2	8	90%
Soprano/Alto		17	0	5	7	90%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor/Bass		19	0	2	8	90%
Soprano/Alto		17	0	5	7	90%

Cantique de Jean Racine. Gabriel Fauré. Op. 11. Giubiasco sampleset.

SDG

4:35	Est. Play Time
89	Measures
	1,103Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe		32	9	10	6	96%
Flute		25	9	9	6	89%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe		32	9	10	6	96%
Flute		25	9	9	6	89%
Pedal		17	0	5	4	87%
Bass		16	0	5	8	76%
Tenor		15	0	5	6	73%
Alto		14	0	5	6	64%
Soprano		14	0	3	6	57%

Panis Angelicus, Original. César Franck. Best with headphones on! Het beste met koptelefoon/hoofdtelefoon op te beluisteren.

SDG

3:39	Est. Play Time
61	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		20	6	6	6	100%
Pedal		18	0	6	6	92%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		20	6	6	6	100%
Pedal		18	0	6	6	92%
Organ		12	6	3	5	80%
Harp		21	39	5	2	60%
		35	41	10	2	68%
Voice		8	0	1	7	67%
		8	0	1	7	67%
		8	0	1	7	67%
Violoncello		11	0	2	8	59%

Der Herr ist mein Hirt, Bernard Klein, male choir with piano accompaniment.

SDG

4:20	Est. Play Time
93	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano forte		18	37	4	5	97%
		25	57	7	4	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano forte		18	37	4	5	97%
		25	57	7	4	100%
Basso II		13	0	5	4	97%
Basso I.		9	0	3	5	96%
Tenore I		11	0	2	6	96%
Tenore II		10	0	2	4	96%

20. Es ist vollbracht! (without lyrics), Schemelli, J.S. Bach, BWV 358.

SDG

0:54	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		15	0	3	7	90%
T B		19	0	5	5	90%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		15	0	3	7	90%
T B		19	0	5	5	90%

20. Es ist vollbracht!, German Lyrics, Schemelli, J.S. Bach, BWV 458.

SDG

0:54	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		15	0	3	7	90%
T B		19	0	5	5	90%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		15	0	3	7	90%
T B		19	0	5	5	90%

Enigma Variations, No. 9 Nimrod, just vocals, choir, Lux Aeterna, Edward Elgar.

SDG

3:44	Est. Play Time
45	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I		14	0	2	9	100%
Alto II		12	0	2	9	98%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I		14	0	2	9	100%
Alto II		12	0	2	9	98%
Tenor I		14	0	2	7	95%
Soprano II		14	0	2	8	93%
Tenor II		12	0	2	9	93%
Bass I		12	0	1	9	91%
Soprano I		15	0	2	9	91%
Bass II		14	1	1	8	89%

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